Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago 
At the Circus: Trained Pony and BaboonHenri de Toulouse-Lautrec, 1899Courtesy of the Art Institute of Chicago 
Circus Sideshow (Parade de cirque)Georges Seurat, 1887–88Courtesy of The Metropolitan Museum of Art 
Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago
Section 1, south wall

Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art 
Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago 
Symbolic HeadOdilon Redon, c. 1890Courtesy of the Cleveland Museum of Art
Section 2, south wall

Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago 
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art 
The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
Section 2, north wall

Aman-Jean (Portrait of Edmond François Aman-Jean)Georges Seurat, 1882–83Courtesy of The Metropolitan Museum of Art 
Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art
Section 3, north wall

In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art 
OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art