Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art 
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art 
Still-Life with a Watermelon and PomegranatesPaul Cézanne, 1900–1906Courtesy of The Metropolitan Museum of Art 
IrisesVincent van Gogh, 1890Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago 
Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
The Large Plane Trees (Road Menders at Saint-Rémy)Vincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
Section 2, south wall

Circus Sideshow (Parade de cirque)Georges Seurat, 1887–88Courtesy of The Metropolitan Museum of Art 
The Poet's GardenVincent van Gogh, 1888Courtesy of the Art Institute of Chicago 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art
Section 2, north wall

At the Circus: Trained Pony and BaboonHenri de Toulouse-Lautrec, 1899Courtesy of the Art Institute of Chicago 
OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art 
Moulin de la GaletteHenri de Toulouse-Lautrec, 1889Courtesy of the Art Institute of Chicago 
In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art
Section 3, north wall

Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
Madame Roulin Rocking the Cradle (La berceuse)Vincent van Gogh, 1889Courtesy of the Art Institute of Chicago