Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

A work made of oil on vellum.
Orpheus, by Odilon Redon, c. 1903–10
Tahitian Faces (Frontal View and Profiles), by Paul Gauguin, ca. 1899
Circus Sideshow (Parade de cirque), by Georges Seurat, 1887–88
At the Concert Parisien, by Georges Seurat, 1887–88
Brünnhilde in Twilight of the Gods, by Odilon Redon, 1894

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. A work made of oil on vellum.
    At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago
  2. Orpheus, by Odilon Redon, c. 1903–10
    OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art
  3. Tahitian Faces (Frontal View and Profiles), by Paul Gauguin, ca. 1899
    Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Circus Sideshow (Parade de cirque), by Georges Seurat, 1887–88
    Circus Sideshow (Parade de cirque)Georges Seurat, 1887–88Courtesy of The Metropolitan Museum of Art
  2. At the Concert Parisien, by Georges Seurat, 1887–88
    At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art
  3. Brünnhilde in Twilight of the Gods, by Odilon Redon, 1894
    Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Mount Sainte-Victoire, by Paul Cézanne, c. 1904
    Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art
  2. Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, by Paul Cézanne, 1888–90
    Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art
  3. Aman-Jean (Portrait of Edmond François Aman-Jean), by Georges Seurat, 1882–83
    Aman-Jean (Portrait of Edmond François Aman-Jean)Georges Seurat, 1882–83Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Painting of a basket of green and red-yellow apples spilling over into a white cloth placed on a wooden table, with a dark green bottle and a plate of pale biscuits behind.
    The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago
  2. A work made of graphite on cream laid paper (pieced).
    Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago
  3. Nursemaids’ Promenade, Frieze of Carriages, by Pierre Bonnard, 1895
    Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art
  4. Corridor in the Asylum, by Vincent van Gogh, September 1889
    Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of reed pen and iron-gall ink on tan laid paper.
    Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago
  2. The Card Players, by Paul Cézanne, 1890–92
    The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art
  3. A work made of oil on canvas.
    Madame Roulin Rocking the Cradle (La berceuse)Vincent van Gogh, 1889Courtesy of the Art Institute of Chicago