Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

A work made of graphite on cream laid paper (pieced).
Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893
André Bénac, by Édouard Vuillard, 1936
Nursemaids’ Promenade, Frieze of Carriages, by Pierre Bonnard, 1895
Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889
A work made of oil on panel.
A work made of oil on linen canvas.
A work made of pastel and graphite on cream wove paper.

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. A work made of graphite on cream laid paper (pieced).
    Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago
  2. Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893
    Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art
  3. André Bénac, by Édouard Vuillard, 1936
    André BénacÉdouard Vuillard, 1936Courtesy of the Cleveland Museum of Art
  4. Nursemaids’ Promenade, Frieze of Carriages, by Pierre Bonnard, 1895
    Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889
    Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  2. A work made of oil on panel.
    Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago
  3. A work made of oil on linen canvas.
    Woman in Front of a Still Life by CezannePaul Gauguin, 1890Courtesy of the Art Institute of Chicago
  4. A work made of pastel and graphite on cream wove paper.
    At the Circus: Trained Pony and BaboonHenri de Toulouse-Lautrec, 1899Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Tahitian Faces (Frontal View and Profiles), by Paul Gauguin, ca. 1899
    Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art
  2. Corridor in the Asylum, by Vincent van Gogh, September 1889
    Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art
  3. Mount Sainte-Victoire, by Paul Cézanne, c. 1904
    Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art
  4. Painting of four women with blue shawls walking near red fence.
    Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. At the Concert Parisien, by Georges Seurat, 1887–88
    At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art
  2. Painting of a basket of green and red-yellow apples spilling over into a white cloth placed on a wooden table, with a dark green bottle and a plate of pale biscuits behind.
    The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago
  3. View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds. Thick brushstrokes built up atop each other are visible throughout.
    Auvers, Panoramic ViewPaul Cézanne, 1873–75Courtesy of the Art Institute of Chicago
  4. A work made of reed pen and iron-gall ink on tan laid paper.
    Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago