Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

Homage to Goya, by Odilon Redon, 1885
A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.
Still-Life with a Watermelon and Pomegranates, by Paul Cézanne, 1900–1906
A work made of color lithograph on ivory laid paper.
The Card Players, by Paul Cézanne, 1890–92
Painting of a basket of green and red-yellow apples spilling over into a white cloth placed on a wooden table, with a dark green bottle and a plate of pale biscuits behind.
Head of a Tahitian Woman, by Paul Gauguin, 1891
Armor, by Odilon Redon, 1891

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. Homage to Goya, by Odilon Redon, 1885
    Homage to GoyaOdilon Redon, 1885Courtesy of the Cleveland Museum of Art
  2. A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.
    Moulin de la GaletteHenri de Toulouse-Lautrec, 1889Courtesy of the Art Institute of Chicago
  3. Still-Life with a Watermelon and Pomegranates, by Paul Cézanne, 1900–1906
    Still-Life with a Watermelon and PomegranatesPaul Cézanne, 1900–1906Courtesy of The Metropolitan Museum of Art
  4. A work made of color lithograph on ivory laid paper.
    BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. The Card Players, by Paul Cézanne, 1890–92
    The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art
  2. Painting of a basket of green and red-yellow apples spilling over into a white cloth placed on a wooden table, with a dark green bottle and a plate of pale biscuits behind.
    The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago
  3. Head of a Tahitian Woman, by Paul Gauguin, 1891
    Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
  4. Armor, by Odilon Redon, 1891
    ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
    Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago
  2. Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.
    At the Moulin RougeHenri de Toulouse-Lautrec, 1892–95Courtesy of the Art Institute of Chicago
  3. Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, by Paul Cézanne, 1888–90
    Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.
    Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago
  2. Painting of a placid-looking, light-skinned woman in a maroon dress, seated in a chair with yellow upholstery, hands folded.
    Madame Cezanne in a Yellow ChairPaul Cézanne, 1888–90Courtesy of the Art Institute of Chicago
  3. At the Concert Parisien, by Georges Seurat, 1887–88
    At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. Aman-Jean (Portrait of Edmond François Aman-Jean), by Georges Seurat, 1882–83
    Aman-Jean (Portrait of Edmond François Aman-Jean)Georges Seurat, 1882–83Courtesy of The Metropolitan Museum of Art
  2. The Large Tree, by Paul Gauguin, 1891
    The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art