Post-Impressionism








Works in this room
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art 
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art
Section 1, south wall

ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art 
At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago 
Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art 
In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art
Section 2, south wall

Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art 
The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago 
Auvers, Panoramic ViewPaul Cézanne, 1873–75Courtesy of the Art Institute of Chicago
Section 2, north wall

Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art 
Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago 
Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art