Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
A work made of oil on linen canvas.
Brünnhilde in Twilight of the Gods, by Odilon Redon, 1894
A work made of color lithograph on ivory laid paper.
Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893
Painting of four women with blue shawls walking near red fence.
Homage to Goya, by Odilon Redon, 1885
Road in Etten, by Vincent van Gogh, 1881

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
    Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago
  2. A work made of oil on linen canvas.
    Woman in Front of a Still Life by CezannePaul Gauguin, 1890Courtesy of the Art Institute of Chicago
  3. Brünnhilde in Twilight of the Gods, by Odilon Redon, 1894
    Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art
  4. A work made of color lithograph on ivory laid paper.
    BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893
    Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art
  2. Painting of four women with blue shawls walking near red fence.
    Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago
  3. Homage to Goya, by Odilon Redon, 1885
    Homage to GoyaOdilon Redon, 1885Courtesy of the Cleveland Museum of Art
  4. Road in Etten, by Vincent van Gogh, 1881
    Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. In the Waves (Dans les Vagues), by Paul Gauguin, 1889
    In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
  2. Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.
    Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago
  3. Wheat Field with Cypresses, by Vincent van Gogh, 1889
    Wheat Field with CypressesVincent van Gogh, 1889Courtesy of The Metropolitan Museum of Art
  4. Pastel drawing of two figures in a sailboat, bright multi-colored clouds.
    Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Nursemaids’ Promenade, Frieze of Carriages, by Pierre Bonnard, 1895
    Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art
  2. A work made of oil on canvas.
    The Vase of TulipsPaul Cézanne, c. 1890Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, by Paul Cézanne, 1888–90
    Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art
  2. Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.
    At the Moulin RougeHenri de Toulouse-Lautrec, 1892–95Courtesy of the Art Institute of Chicago