Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago 
OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art 
Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art 
The Bay of Marseille, Seen from L'EstaquePaul Cézanne, c. 1885Courtesy of the Art Institute of Chicago 
In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
Section 2, south wall

The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art 
Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art 
Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art 
Wheat Field with CypressesVincent van Gogh, 1889Courtesy of The Metropolitan Museum of Art
Section 2, north wall

Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art 
At the Moulin RougeHenri de Toulouse-Lautrec, 1892–95Courtesy of the Art Institute of Chicago
Section 3, north wall

Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago 
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art