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Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

62 works · hang 470 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Still-Life with a Watermelon and Pomegranates, by Paul Cézanne, 1900–1906
    Still-Life with a Watermelon and PomegranatesPaul Cézanne, 1900–1906Courtesy of The Metropolitan Museum of Art
  2. The Card Players, by Paul Cézanne, 1890–92
    The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art
  3. Painting in short strokes of pale blue, green, white, yellow, and pink, of a fisherman in one of two small boats on a river, a tree-lined bank and a bridge in the background.
    Fishing in Spring, the Pont de Clichy (Asnières)Vincent van Gogh, 1887Courtesy of the Art Institute of Chicago
  4. View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds. Thick brushstrokes built up atop each other are visible throughout.
    Auvers, Panoramic ViewPaul Cézanne, 1873–75Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893
    Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art
  2. The image shows two women walking arm in arm, both in traditional attire. One woman is facing away with a slight profile, while the other is seen from the side. Their faces are stylized and simplistic with covered hair. They wear long dresses with aprons and collars, and one has a striped apron. Haystacks and greenery surround them. Faint figures are in the background, as well as a spire-like structure. A dog is seen near the haystack, with simple lines suggesting a landscape.
    Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington
  3. Head of a Tahitian Woman, by Paul Gauguin, 1891
    Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
  4. Corridor in the Asylum, by Vincent van Gogh, September 1889
    Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
    Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago
  2. Landscape with Wheelbarrow, by Vincent van Gogh, 1883
    Landscape with WheelbarrowVincent van Gogh, 1883Courtesy of the Cleveland Museum of Art
  3. Irises, by Vincent van Gogh, 1890
    IrisesVincent van Gogh, 1890Courtesy of The Metropolitan Museum of Art
  4. Impressionist sea landscape, tan houses, blue ocean, distant mountains.
    The Bay of Marseille, Seen from L'EstaquePaul Cézanne, c. 1885Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Wheat Field with Cypresses, by Vincent van Gogh, 1889
    Wheat Field with CypressesVincent van Gogh, 1889Courtesy of The Metropolitan Museum of Art
  2. Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.
    Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago
  3. In the Waves (Dans les Vagues), by Paul Gauguin, 1889
    In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
  4. Nursemaids’ Promenade, Frieze of Carriages, by Pierre Bonnard, 1895
    Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art