Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

Hercules RestingPaul Cézanne, 1897Courtesy of the Art Institute of Chicago 
BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago 
Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art
Section 1, south wall

Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington 
Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art 
Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago
Section 2, south wall

Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art 
The Poet's GardenVincent van Gogh, 1888Courtesy of the Art Institute of Chicago 
Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago
Section 2, north wall

Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art 
The Large Plane Trees (Road Menders at Saint-Rémy)Vincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art 
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago