Post-Impressionism








Works in this room
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

At the Circus: Trained Pony and BaboonHenri de Toulouse-Lautrec, 1899Courtesy of the Art Institute of Chicago 
In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art 
At the Moulin RougeHenri de Toulouse-Lautrec, 1892–95Courtesy of the Art Institute of Chicago 
Weeping TreeVincent van Gogh, 1889Courtesy of the Art Institute of Chicago
Section 1, south wall

Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art 
ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art 
Homage to GoyaOdilon Redon, 1885Courtesy of the Cleveland Museum of Art
Section 2, south wall

Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art 
Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington
Section 2, north wall

The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art 
Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago 
Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art