Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899
A work made of color lithograph on ivory laid paper.
Brünnhilde in Twilight of the Gods, by Odilon Redon, 1894
Impressionist sea landscape, tan houses, blue ocean, distant mountains.
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), by Vincent van Gogh, 1887
André Bénac, by Édouard Vuillard, 1936
Study for "A Sunday on La Grande Jatte", by Georges Seurat, 1884
A work made of graphite on ivory wove paper.

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899
    At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art
  2. A work made of color lithograph on ivory laid paper.
    BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago
  3. Brünnhilde in Twilight of the Gods, by Odilon Redon, 1894
    Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art
  4. Impressionist sea landscape, tan houses, blue ocean, distant mountains.
    The Bay of Marseille, Seen from L'EstaquePaul Cézanne, c. 1885Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Self-Portrait with a Straw Hat (obverse: The Potato Peeler), by Vincent van Gogh, 1887
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art
  2. André Bénac, by Édouard Vuillard, 1936
    André BénacÉdouard Vuillard, 1936Courtesy of the Cleveland Museum of Art
  3. Study for "A Sunday on La Grande Jatte", by Georges Seurat, 1884
    Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art
  4. A work made of graphite on ivory wove paper.
    Hercules RestingPaul Cézanne, 1897Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of reed pen and iron-gall ink on tan laid paper.
    Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago
  2. Still Life with Apples and a Pot of Primroses, by Paul Cézanne, ca. 1890
    Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art
  3. Armor, by Odilon Redon, 1891
    ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art
  4. Painting in short strokes of pale blue, green, white, yellow, and pink, of a fisherman in one of two small boats on a river, a tree-lined bank and a bridge in the background.
    Fishing in Spring, the Pont de Clichy (Asnières)Vincent van Gogh, 1887Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. In the Waves (Dans les Vagues), by Paul Gauguin, 1889
    In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
  2. The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
    The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art
  3. The Large Plane Trees (Road Menders at Saint-Rémy), by Vincent van Gogh, 1889
    The Large Plane Trees (Road Menders at Saint-Rémy)Vincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  4. A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
    Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago