Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art 
Madame Roulin Rocking the Cradle (La berceuse)Vincent van Gogh, 1889Courtesy of the Art Institute of Chicago 
Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art 
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art 
At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago 
Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art 
Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art
Section 2, south wall

Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
IrisesVincent van Gogh, 1890Courtesy of The Metropolitan Museum of Art 
The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art 
In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
Section 2, north wall

OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art 
Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago
Section 3, north wall

Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art