Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
A work made of oil on canvas.
Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.
Road in Etten, by Vincent van Gogh, 1881
A work made of pastel and graphite on cream wove paper.
Symbolic Head, by Odilon Redon, c. 1890

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889
    Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  2. The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
    The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art
  3. A work made of oil on canvas.
    The Vase of TulipsPaul Cézanne, c. 1890Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.
    Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago
  2. Road in Etten, by Vincent van Gogh, 1881
    Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art
  3. A work made of pastel and graphite on cream wove paper.
    At the Circus: Trained Pony and BaboonHenri de Toulouse-Lautrec, 1899Courtesy of the Art Institute of Chicago
  4. Symbolic Head, by Odilon Redon, c. 1890
    Symbolic HeadOdilon Redon, c. 1890Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Study for "A Sunday on La Grande Jatte", by Georges Seurat, 1884
    Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on panel.
    Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago
  3. In the Waves (Dans les Vagues), by Paul Gauguin, 1889
    In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
  4. At the Concert Parisien, by Georges Seurat, 1887–88
    At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899
    At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art
  2. The Large Plane Trees (Road Menders at Saint-Rémy), by Vincent van Gogh, 1889
    The Large Plane Trees (Road Menders at Saint-Rémy)Vincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  3. A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
    Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893
    Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art
  2. A work made of black conté crayon, on white laid paper, laid down on cream board.
    Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago