Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
The Poet's GardenVincent van Gogh, 1888Courtesy of the Art Institute of Chicago 
Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington 
BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago
Section 1, south wall

A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago 
Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art 
Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art
Section 2, south wall

Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
Hercules RestingPaul Cézanne, 1897Courtesy of the Art Institute of Chicago 
Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago 
IrisesVincent van Gogh, 1890Courtesy of The Metropolitan Museum of Art
Section 2, north wall

Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art 
Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago 
Auvers, Panoramic ViewPaul Cézanne, 1873–75Courtesy of the Art Institute of Chicago
Section 3, north wall

Symbolic HeadOdilon Redon, c. 1890Courtesy of the Cleveland Museum of Art 
Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago