Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art 
Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art 
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Fishing in Spring, the Pont de Clichy (Asnières)Vincent van Gogh, 1887Courtesy of the Art Institute of Chicago 
Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago 
BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago
Section 2, south wall

The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art 
Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art 
Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art 
The Bay of Marseille, Seen from L'EstaquePaul Cézanne, c. 1885Courtesy of the Art Institute of Chicago
Section 2, north wall

OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art 
The Vase of TulipsPaul Cézanne, c. 1890Courtesy of the Art Institute of Chicago 
Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
Section 3, north wall

In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art 
The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art