Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago 
Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago 
Homage to GoyaOdilon Redon, 1885Courtesy of the Cleveland Museum of Art 
Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art
Section 2, south wall

Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
Madame Roulin Rocking the Cradle (La berceuse)Vincent van Gogh, 1889Courtesy of the Art Institute of Chicago 
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art 
Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago
Section 2, north wall

Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago 
BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago 
Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago 
At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago