Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago 
Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art 
A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago
Section 1, south wall

Landscape with WheelbarrowVincent van Gogh, 1883Courtesy of the Cleveland Museum of Art 
ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art 
Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago 
Wheat Field with CypressesVincent van Gogh, 1889Courtesy of The Metropolitan Museum of Art
Section 2, south wall

At the Moulin RougeHenri de Toulouse-Lautrec, 1892–95Courtesy of the Art Institute of Chicago 
The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago
Section 2, north wall

Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art 
Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art 
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art 
Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art