Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art 
Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art 
Woman in Front of a Still Life by CezannePaul Gauguin, 1890Courtesy of the Art Institute of Chicago 
Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago
Section 2, south wall

Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art 
A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago
Section 2, north wall

Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago 
Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago 
Moulin de la GaletteHenri de Toulouse-Lautrec, 1889Courtesy of the Art Institute of Chicago
Section 3, north wall

The Bay of Marseille, Seen from L'EstaquePaul Cézanne, c. 1885Courtesy of the Art Institute of Chicago 
ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art 
Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art