Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

Head of a Tahitian Woman, by Paul Gauguin, 1891
Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.
The Card Players, by Paul Cézanne, 1890–92
André Bénac, by Édouard Vuillard, 1936
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
A work made of color lithograph on ivory laid paper.
Corridor in the Asylum, by Vincent van Gogh, September 1889
Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. Head of a Tahitian Woman, by Paul Gauguin, 1891
    Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
  2. Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.
    Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago
  3. The Card Players, by Paul Cézanne, 1890–92
    The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art
  4. André Bénac, by Édouard Vuillard, 1936
    André BénacÉdouard Vuillard, 1936Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
    The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art
  2. A work made of color lithograph on ivory laid paper.
    BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago
  3. Corridor in the Asylum, by Vincent van Gogh, September 1889
    Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art
  4. Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893
    Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Nursemaids’ Promenade, Frieze of Carriages, by Pierre Bonnard, 1895
    Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art
  2. Symbolic Head, by Odilon Redon, c. 1890
    Symbolic HeadOdilon Redon, c. 1890Courtesy of the Cleveland Museum of Art
  3. The Large Plane Trees (Road Menders at Saint-Rémy), by Vincent van Gogh, 1889
    The Large Plane Trees (Road Menders at Saint-Rémy)Vincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  4. Self-Portrait with a Straw Hat (obverse: The Potato Peeler), by Vincent van Gogh, 1887
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.
    At the Moulin RougeHenri de Toulouse-Lautrec, 1892–95Courtesy of the Art Institute of Chicago
  2. Painting of a basket of green and red-yellow apples spilling over into a white cloth placed on a wooden table, with a dark green bottle and a plate of pale biscuits behind.
    The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago
  3. Armor, by Odilon Redon, 1891
    ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art
  4. At the Concert Parisien, by Georges Seurat, 1887–88
    At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art