Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

In the Waves (Dans les Vagues), by Paul Gauguin, 1889
A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
Road in Etten, by Vincent van Gogh, 1881
At the Concert Parisien, by Georges Seurat, 1887–88
Painting of a basket of green and red-yellow apples spilling over into a white cloth placed on a wooden table, with a dark green bottle and a plate of pale biscuits behind.
Tahitian Faces (Frontal View and Profiles), by Paul Gauguin, ca. 1899
Still-Life with a Watermelon and Pomegranates, by Paul Cézanne, 1900–1906

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. In the Waves (Dans les Vagues), by Paul Gauguin, 1889
    In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
  2. A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
    Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago
  3. Road in Etten, by Vincent van Gogh, 1881
    Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art
  4. At the Concert Parisien, by Georges Seurat, 1887–88
    At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Painting of a basket of green and red-yellow apples spilling over into a white cloth placed on a wooden table, with a dark green bottle and a plate of pale biscuits behind.
    The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago
  2. Tahitian Faces (Frontal View and Profiles), by Paul Gauguin, ca. 1899
    Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art
  3. Still-Life with a Watermelon and Pomegranates, by Paul Cézanne, 1900–1906
    Still-Life with a Watermelon and PomegranatesPaul Cézanne, 1900–1906Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Large painting of people in a crowded park, brushstrokes are dots.
    A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago
  2. Aman-Jean (Portrait of Edmond François Aman-Jean), by Georges Seurat, 1882–83
    Aman-Jean (Portrait of Edmond François Aman-Jean)Georges Seurat, 1882–83Courtesy of The Metropolitan Museum of Art
  3. Orpheus, by Odilon Redon, c. 1903–10
    OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Mount Sainte-Victoire, by Paul Cézanne, c. 1904
    Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art
  2. Irises, by Vincent van Gogh, 1890
    IrisesVincent van Gogh, 1890Courtesy of The Metropolitan Museum of Art
  3. A work made of black conté crayon, on white laid paper, laid down on cream board.
    Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago
  4. A work made of oil on linen canvas.
    Woman in Front of a Still Life by CezannePaul Gauguin, 1890Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
    The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art
  2. André Bénac, by Édouard Vuillard, 1936
    André BénacÉdouard Vuillard, 1936Courtesy of the Cleveland Museum of Art