Renaissance








Works in this room
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art 
Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago 
Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art 
Virgin and Child with John the Baptist and AngelsPietro del Donzello, c. 1500Courtesy of the Cleveland Museum of Art
Section 1, south wall

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art 
The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art 
Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago 
Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art
Section 2, south wall

The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago 
Alessandro de' MediciPontormo, (Jacopo Carrucci), 1534–35Courtesy of the Art Institute of Chicago 
Virgin and ChildHans Memling, c. 1485Courtesy of the Art Institute of Chicago 
Portrait of Vincenzo GuarignoniGiovanni Battista Moroni, c. 1572Courtesy of the Cleveland Museum of Art
Section 2, north wall

The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
Holy Family with a ShepherdBattista Dossi, early 1520sCourtesy of the Cleveland Museum of Art 
Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago