Floor plan

West wing: Old MastersRenaissance

Renaissance

Dead Blue Roller, by Hans Hoffmann, 1583
Virgin and Child with Saints, c. 1510
Madonna and Child in a Niche, by Antonio del Ceraiolo, c. 1520s
The Last Supper, by Lucantonio degli Uberti, c. 1500
A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.
A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.
A work made of engraving and etching in black on cream laid paper.
A work made of oil on panel.

The works in this room are listed below.

Works in this room

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

Section 1, north wall

  1. Dead Blue Roller, by Hans Hoffmann, 1583
    Dead Blue RollerHans Hoffmann, 1583Courtesy of the Cleveland Museum of Art
  2. Virgin and Child with Saints, c. 1510
    Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art
  3. Madonna and Child in a Niche, by Antonio del Ceraiolo, c. 1520s
    Madonna and Child in a NicheAntonio del Ceraiolo, c. 1520sCourtesy of the Cleveland Museum of Art
  4. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.
    The Flight into EgyptDomenico Campagnola, c. 1540Courtesy of the Art Institute of Chicago
  2. A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.
    A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago
  3. A work made of engraving and etching in black on cream laid paper.
    A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Saint Sebastian, by Perugino, c. 1493
    Saint SebastianPerugino, c. 1493Courtesy of the Cleveland Museum of Art
  2. Virgin and Child with John the Baptist and Angels, by Pietro del Donzello, c. 1500
    Virgin and Child with John the Baptist and AngelsPietro del Donzello, c. 1500Courtesy of the Cleveland Museum of Art
  3. Portrait of a Couple, c. 1580–88
    Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A work made of black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper.
    Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)Pietro d' Asaro, n.d.Courtesy of the Art Institute of Chicago
  2. Painting of the Annunciation, dove flying above Mary with angel.
    The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago
  3. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Portrait of Roberto Castiglione, early 1600s
    Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art
  2. Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9
    Venus Reclining in a LandscapeGiulio Campagnola, c. 1508–9Courtesy of the Cleveland Museum of Art