Renaissance








Works in this room
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Virgin and ChildHans Memling, c. 1485Courtesy of the Art Institute of Chicago 
Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago 
The Sacrifice of IsaacAndrea del Sarto, c. 1527Courtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago
Section 1, south wall

Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago 
Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art 
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art 
The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art
Section 2, south wall

The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art 
The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago 
The Last Supper (pair)Lucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
Section 2, north wall

Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art 
Portrait of Vincenzo GuarignoniGiovanni Battista Moroni, c. 1572Courtesy of the Cleveland Museum of Art 
Ornament in Hexagonal ShapeUnrecorded Italian maker, c. 1480/1510Courtesy National Gallery of Art, Washington 
Portrait of an Old ManGiulio Campi, mid-1500sCourtesy of the Cleveland Museum of Art