Ochre Editions
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Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

78 works · hang 2714 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.
    Italian Joust of PeaceUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  2. View of Venice, by Jacopo de' Barbari, 1500
    View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art
  3. The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503
    The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Virgin and Child, by Bernardino Luini, 1500s
    Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art
  2. A work made of engraving in black on cream laid paper.
    The Academy of Baccio BandinelliEnea Vico, 1544/50, printed c. 1560sCourtesy of the Art Institute of Chicago
  3. A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.
    The Flight into EgyptDomenico Campagnola, c. 1540Courtesy of the Art Institute of Chicago
  4. Martyrdom of Saint Andrew, by Guido Reni, 1600s
    Martyrdom of Saint AndrewGuido Reni, 1600sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of oil on panel.
    Christ Carrying the CrossSebastiano del Piombo, c. 1515–17Courtesy of the Art Institute of Chicago
  2. Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.
    Virgin and Child with the Young Saint John the BaptistAntonio da Correggio, c. 1515Courtesy of the Art Institute of Chicago
  3. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago
  4. This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.
    Mock Joust of War with Flying Shields and Without BevorsUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9
    Venus Reclining in a LandscapeGiulio Campagnola, c. 1508–9Courtesy of the Cleveland Museum of Art
  2. Death of the Virgin, mid-1500s
    Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art
  3. A work made of tempera on panel, transferred to canvas.
    Noli Me TangerePerugino, 1500–05Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  2. A work made of engraving in black on cream laid paper.
    The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago