Ochre Editions
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Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

78 works · hang 4078 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. This painting shows an upper-body portrait of a man in a three-quarter view, turned to the left. He has a prominent double chin, a slightly furrowed brow, thin lips, and a serious expression. He has pale yellow skin and short, dark hair, and he wears a large, red hat. He is clad in silver armor with red straps on his shoulder and chest. The background is a simple, dark green color.
    Francesco SforzaUnrecorded Italian maker, probably c. 1480/1500Courtesy National Gallery of Art, Washington
  2. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago
  3. Dead Blue Roller, by Hans Hoffmann, 1583
    Dead Blue RollerHans Hoffmann, 1583Courtesy of the Cleveland Museum of Art
  4. A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.
    Group of Nine Standing FiguresParmigianino, 1524/27Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503
    The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art
  2. A work made of oil on panel.
    The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago
  3. A work made of oil on panel.
    Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago
  4. Death of the Virgin, mid-1500s
    Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of engraving in black on cream laid paper.
    The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago
  2. Adoration of the Shepherds, c. 1500
    Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art
  3. This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.
    Mock Joust of War with Flying Shields and Without BevorsUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  4. A work made of etching in black on cream laid paper.
    Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of oil on panel.
    Christ Carrying the CrossSebastiano del Piombo, c. 1515–17Courtesy of the Art Institute of Chicago
  2. Christ Crowned with Thorns, by Martin Schongauer, 1470–82
    Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. Virgin and Child with Saints, c. 1510
    Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art
  2. Portrait of a Young Man, by Dosso Dossi, c. 1530
    Portrait of a Young ManDosso Dossi, c. 1530Courtesy of the Cleveland Museum of Art