Floor plan

West wing: Old MastersRenaissance

Renaissance

Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572
Saint Sebastian, by Perugino, c. 1493
A work made of oil on panel.
A work made of engraving and etching in black on cream laid paper.
A work made of tempera on panel.
Painting of the Annunciation, dove flying above Mary with angel.
Virgin and Child with Saints, c. 1510
The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480

The works in this room are listed below.

Works in this room

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

Section 1, north wall

  1. Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572
    Portrait of Vincenzo GuarignoniGiovanni Battista Moroni, c. 1572Courtesy of the Cleveland Museum of Art
  2. Saint Sebastian, by Perugino, c. 1493
    Saint SebastianPerugino, c. 1493Courtesy of the Cleveland Museum of Art
  3. A work made of oil on panel.
    Christ Carrying the CrossSebastiano del Piombo, c. 1515–17Courtesy of the Art Institute of Chicago
  4. A work made of engraving and etching in black on cream laid paper.
    A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago
  2. Painting of the Annunciation, dove flying above Mary with angel.
    The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago
  3. Virgin and Child with Saints, c. 1510
    Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art
  4. The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480
    The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.
    Ornament in Hexagonal ShapeUnrecorded Italian maker, c. 1480/1510Courtesy National Gallery of Art, Washington
  2. The Last Supper (pair), by Lucantonio degli Uberti, c. 1500
    The Last Supper (pair)Lucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  3. A work made of etching in black on cream laid paper.
    Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago
  4. A work made of black chalk on laid paper, laid down on tan laid pulp board.
    Study of a Standing Male NudeGiuseppe Cesari, called Cavaliere d'Arpino, 1595/96Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Arm of Eve, by Albrecht Dürer, 1507
    Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art
  2. A work made of tempera on panel.
    Saint John the Baptist Entering the WildernessGiovanni di Paolo, 1455–60Courtesy of the Art Institute of Chicago
  3. Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9
    Venus Reclining in a LandscapeGiulio Campagnola, c. 1508–9Courtesy of the Cleveland Museum of Art
  4. The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512
    The Power of Women: Samson and DelilahLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art