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Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

78 works · hang 4460 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.
    Italian Joust of PeaceUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  2. Portrait of Roberto Castiglione, early 1600s
    Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art
  3. A work made of oil on panel.
    Christ Carrying the CrossSebastiano del Piombo, c. 1515–17Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    Lucrezia di Lippo di Iacopo GuidiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
    Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago
  2. A work made of oil on panel.
    The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago
  3. Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508
    Farmhouse on the Slope of a HillFra Bartolommeo, c. 1508Courtesy of the Cleveland Museum of Art
  4. This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.
    Ornament in Hexagonal ShapeUnrecorded Italian maker, c. 1480/1510Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Studies of a Seated Female, Child's Head, and Three Studies of a Baby, by Raphael, c. 1507–8
    Studies of a Seated Female, Child's Head, and Three Studies of a BabyRaphael, c. 1507–8Courtesy of the Cleveland Museum of Art
  2. Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.
    Virgin and Child with the Young Saint John the BaptistAntonio da Correggio, c. 1515Courtesy of the Art Institute of Chicago
  3. The Dead Christ with Angels, by Leandro Bassano, c. 1580
    The Dead Christ with AngelsLeandro Bassano, c. 1580Courtesy of the Cleveland Museum of Art
  4. Madonna and Child in a Niche, by Antonio del Ceraiolo, c. 1520s
    Madonna and Child in a NicheAntonio del Ceraiolo, c. 1520sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A work made of tempera on canvas.
    Sinan Reis and Hayreddin BarbarossaItalian, c. 1535Courtesy of the Art Institute of Chicago
  2. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago
  3. A work made of engraving in black on ivory laid paper.
    Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago
  4. Adoration of the Shepherds, c. 1500
    Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art