Renaissance








Works in this room
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago 
Virgin and Child with John the Baptist and AngelsPietro del Donzello, c. 1500Courtesy of the Cleveland Museum of Art 
Samson and the Lion, from "The Story of Samson"Unrecorded French maker, ca. 1560–80Courtesy of The Metropolitan Museum of Art 
Noli Me TangerePerugino, 1500–05Courtesy of the Art Institute of Chicago
Section 1, south wall

Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
The Dead Christ with AngelsLeandro Bassano, c. 1580Courtesy of the Cleveland Museum of Art 
Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago
Section 2, south wall

The Baptism of ChristPerugino, 1500–05Courtesy of the Art Institute of Chicago 
The Last Supper (pair)Lucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art 
Alessandro de' MediciPontormo, (Jacopo Carrucci), 1534–35Courtesy of the Art Institute of Chicago 
Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago
Section 2, north wall

Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)Pietro d' Asaro, n.d.Courtesy of the Art Institute of Chicago 
Portrait of a Young ManDosso Dossi, c. 1530Courtesy of the Cleveland Museum of Art 
Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago 
Virgin and ChildHans Memling, c. 1485Courtesy of the Art Institute of Chicago