Floor plan

West wing: Old MastersRenaissance

Renaissance

Virgin and Child with Angels, by Master of the Holden Tondo, early 1500s
Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560
The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549
The Last Supper, by Lucantonio degli Uberti, c. 1500
Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508
Studies of a Seated Female, Child's Head, and Three Studies of a Baby, by Raphael, c. 1507–8
Arm of Eve, by Albrecht Dürer, 1507
Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508

The works in this room are listed below.

Works in this room

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

Section 1, north wall

  1. Virgin and Child with Angels, by Master of the Holden Tondo, early 1500s
    Virgin and Child with AngelsMaster of the Holden Tondo, early 1500sCourtesy of the Cleveland Museum of Art
  2. Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560
    Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art
  3. The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549
    The Submersion of Pharaoh's Army in the Red SeaTitian, 1514–15, printed 1549Courtesy of the Cleveland Museum of Art
  4. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508
    Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art
  2. Studies of a Seated Female, Child's Head, and Three Studies of a Baby, by Raphael, c. 1507–8
    Studies of a Seated Female, Child's Head, and Three Studies of a BabyRaphael, c. 1507–8Courtesy of the Cleveland Museum of Art
  3. Arm of Eve, by Albrecht Dürer, 1507
    Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art
  4. Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508
    Farmhouse on the Slope of a HillFra Bartolommeo, c. 1508Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of oil on panel.
    Lucrezia di Lippo di Iacopo GuidiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago
  2. This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.
    Mock Joust of War with Flying Shields and Without BevorsUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  3. Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
    Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art
  4. St. Catherine of Siena and the Beggar, by Giovanni di Paolo, 1460s
    St. Catherine of Siena and the BeggarGiovanni di Paolo, 1460sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A work made of engraving in black on cream laid paper.
    The Academy of Baccio BandinelliEnea Vico, 1544/50, printed c. 1560sCourtesy of the Art Institute of Chicago
  2. Madonna and Child in a Niche, by Antonio del Ceraiolo, c. 1520s
    Madonna and Child in a NicheAntonio del Ceraiolo, c. 1520sCourtesy of the Cleveland Museum of Art

Section 3, north wall

  1. Portrait of a Couple, c. 1580–88
    Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art
  2. A work made of black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper.
    Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)Pietro d' Asaro, n.d.Courtesy of the Art Institute of Chicago