Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago 
Scenes from the Life of Saint John the BaptistBartolomeo di Giovanni, 1490/95Courtesy of the Art Institute of Chicago 
The Circumcision of Christ, from The Life of the VirginAlbrecht Dürer, c. 1505, published 1511Courtesy of the Art Institute of Chicago 
Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago
Section 1, south wall

The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art 
St. Catherine of Siena and the BeggarGiovanni di Paolo, 1460sCourtesy of the Cleveland Museum of Art
Section 2, south wall

Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art 
The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art 
Saint John the Baptist Entering the WildernessGiovanni di Paolo, 1455–60Courtesy of the Art Institute of Chicago
Section 2, north wall

The Sacrifice of IsaacAndrea del Sarto, c. 1527Courtesy of the Cleveland Museum of Art 
The Power of Women: The Poet Virgil Suspended in a BasketLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art 
The Passion: Christ Before AnnasMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art
Section 3, north wall

The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art 
Dead Blue RollerHans Hoffmann, 1583Courtesy of the Cleveland Museum of Art