Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Martyrdom of Saint AndrewGuido Reni, 1600sCourtesy of the Cleveland Museum of Art 
Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art 
Virgin and Child with the Young Saint John the BaptistAntonio da Correggio, c. 1515Courtesy of the Art Institute of Chicago
Section 1, south wall

Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art 
Virgin and Child with AngelsMaster of the Holden Tondo, early 1500sCourtesy of the Cleveland Museum of Art 
Holy Family with a ShepherdBattista Dossi, early 1520sCourtesy of the Cleveland Museum of Art 
Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago
Section 2, south wall

Portrait of an Old ManGiulio Campi, mid-1500sCourtesy of the Cleveland Museum of Art 
The Baptism of ChristPerugino, 1500–05Courtesy of the Art Institute of Chicago 
The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago
Section 2, north wall

The Flight into EgyptDomenico Campagnola, c. 1540Courtesy of the Art Institute of Chicago 
The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art 
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art 
The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art