Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Group of Nine Standing FiguresParmigianino, 1524/27Courtesy of the Art Institute of Chicago 
Holy Family with a ShepherdBattista Dossi, early 1520sCourtesy of the Cleveland Museum of Art 
The Power of Women: Samson and DelilahLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art 
The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago
Section 1, south wall

Ornament in Hexagonal ShapeUnrecorded Italian maker, c. 1480/1510Courtesy National Gallery of Art, Washington 
Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art 
Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago 
Saint SebastianPerugino, c. 1493Courtesy of the Cleveland Museum of Art
Section 2, south wall

View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art 
Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art 
Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art
Section 2, north wall

The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art 
The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
St. Catherine of Siena and the BeggarGiovanni di Paolo, 1460sCourtesy of the Cleveland Museum of Art
Section 3, north wall

Studies of a Seated Female, Child's Head, and Three Studies of a BabyRaphael, c. 1507–8Courtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago