Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago 
Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago 
The Power of Women: The Poet Virgil Suspended in a BasketLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art 
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art
Section 1, south wall

Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago 
The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art 
The CrucifixionSodoma, 1500sCourtesy of the Cleveland Museum of Art 
Portrait of an Old ManGiulio Campi, mid-1500sCourtesy of the Cleveland Museum of Art
Section 2, south wall

Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago 
Dead Christ Held by AngelsOrazio Samacchini, 1580/1620Courtesy of the Art Institute of Chicago 
The Circumcision of Christ, from The Life of the VirginAlbrecht Dürer, c. 1505, published 1511Courtesy of the Art Institute of Chicago 
The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art
Section 2, north wall

Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art 
Farmhouse on the Slope of a HillFra Bartolommeo, c. 1508Courtesy of the Cleveland Museum of Art