Floor plan

West wing: Old MastersRenaissance

Renaissance

The Last Supper, by Lucantonio degli Uberti, c. 1500
Samson and the Lion, from "The Story of Samson", ca. 1560–80
This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.
Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later
The Last Supper, by Lucantonio degli Uberti, c. 1500
A work made of oil on panel.
Death of the Virgin, mid-1500s
A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.

The works in this room are listed below.

Works in this room

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

Section 1, north wall

  1. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  2. Samson and the Lion, from "The Story of Samson", ca. 1560–80
    Samson and the Lion, from "The Story of Samson"Unrecorded French maker, ca. 1560–80Courtesy of The Metropolitan Museum of Art
  3. This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.
    Mock Joust of War with Flying Shields and Without BevorsUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  4. Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later
    Salome with the Head of Saint John the BaptistBernardino Luini, 1500s or laterCourtesy of the Cleveland Museum of Art

Section 1, south wall

  1. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  2. A work made of oil on panel.
    Christ Carrying the CrossSebastiano del Piombo, c. 1515–17Courtesy of the Art Institute of Chicago
  3. Death of the Virgin, mid-1500s
    Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art
  4. A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
    Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of oil on panel.
    Lucrezia di Lippo di Iacopo GuidiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago
  2. Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508
    Farmhouse on the Slope of a HillFra Bartolommeo, c. 1508Courtesy of the Cleveland Museum of Art
  3. The Crucifixion, by Sodoma, 1500s
    The CrucifixionSodoma, 1500sCourtesy of the Cleveland Museum of Art
  4. Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560
    Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A work made of etching in black on cream laid paper.
    Dead Christ Held by AngelsOrazio Samacchini, 1580/1620Courtesy of the Art Institute of Chicago
  2. Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572
    Portrait of Vincenzo GuarignoniGiovanni Battista Moroni, c. 1572Courtesy of the Cleveland Museum of Art
  3. A work made of tempera on canvas.
    Sinan Reis and Hayreddin BarbarossaItalian, c. 1535Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    Virgin and ChildHans Memling, c. 1485Courtesy of the Art Institute of Chicago