Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

The Power of Women: Samson and DelilahLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art 
Madonna and Child in a NicheAntonio del Ceraiolo, c. 1520sCourtesy of the Cleveland Museum of Art 
Sinan Reis and Hayreddin BarbarossaItalian, c. 1535Courtesy of the Art Institute of Chicago 
Virgin and Child with John the Baptist and AngelsPietro del Donzello, c. 1500Courtesy of the Cleveland Museum of Art
Section 1, south wall

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art 
Portrait of a Young ManDosso Dossi, c. 1530Courtesy of the Cleveland Museum of Art 
Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago 
The Flight into EgyptDomenico Campagnola, c. 1540Courtesy of the Art Institute of Chicago
Section 2, south wall

Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago 
Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art 
Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art 
Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art
Section 2, north wall

Virgin and ChildHans Memling, c. 1485Courtesy of the Art Institute of Chicago 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)Pietro d' Asaro, n.d.Courtesy of the Art Institute of Chicago 
Virgin and Child with AngelsMaster of the Holden Tondo, early 1500sCourtesy of the Cleveland Museum of Art