Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art 
The Circumcision of Christ, from The Life of the VirginAlbrecht Dürer, c. 1505, published 1511Courtesy of the Art Institute of Chicago
Section 1, south wall

Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art 
The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
JudithJan Sanders van Hemessen, c. 1540Courtesy of the Art Institute of Chicago 
Group of Nine Standing FiguresParmigianino, 1524/27Courtesy of the Art Institute of Chicago
Section 2, south wall

The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago 
Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago 
Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art 
The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago
Section 2, north wall

Studies of a Seated Female, Child's Head, and Three Studies of a BabyRaphael, c. 1507–8Courtesy of the Cleveland Museum of Art 
Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago 
The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art 
Sinan Reis and Hayreddin BarbarossaItalian, c. 1535Courtesy of the Art Institute of Chicago