Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Saint John the Baptist Entering the WildernessGiovanni di Paolo, 1455–60Courtesy of the Art Institute of Chicago 
Study of a Standing Male NudeGiuseppe Cesari, called Cavaliere d'Arpino, 1595/96Courtesy of the Art Institute of Chicago 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art
Section 1, south wall

Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art 
The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago 
St. Catherine of Siena and the BeggarGiovanni di Paolo, 1460sCourtesy of the Cleveland Museum of Art 
Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art
Section 2, south wall

The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago 
Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art 
Madonna and Child in a NicheAntonio del Ceraiolo, c. 1520sCourtesy of the Cleveland Museum of Art
Section 2, north wall

The Sacrifice of IsaacAndrea del Sarto, c. 1527Courtesy of the Cleveland Museum of Art 
The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
The Baptism of ChristPerugino, 1500–05Courtesy of the Art Institute of Chicago
Section 3, north wall

The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art 
Samson and the Lion, from "The Story of Samson"Unrecorded French maker, ca. 1560–80Courtesy of The Metropolitan Museum of Art