Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
The Submersion of Pharaoh's Army in the Red SeaTitian, 1514–15, printed 1549Courtesy of the Cleveland Museum of Art 
Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art 
Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art
Section 1, south wall

A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art 
Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago 
Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago
Section 2, south wall

Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art 
Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago 
Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago 
A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago
Section 2, north wall

The Last Supper (pair)Lucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art 
Virgin and ChildHans Memling, c. 1485Courtesy of the Art Institute of Chicago
Section 3, north wall

Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art 
Virgin and Child with John the Baptist and AngelsPietro del Donzello, c. 1500Courtesy of the Cleveland Museum of Art