Floor plan

West wing: Old MastersRenaissance

Renaissance

This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.
Samson and the Lion, from "The Story of Samson", ca. 1560–80
Portrait of an Old Man, by Giulio Campi, mid-1500s
A work made of oil on canvas.
Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560
A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
Painting of the Annunciation, dove flying above Mary with angel.
A work made of tempera on panel.

The works in this room are listed below.

Works in this room

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

Section 1, north wall

  1. This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.
    Ornament in Hexagonal ShapeUnrecorded Italian maker, c. 1480/1510Courtesy National Gallery of Art, Washington
  2. Samson and the Lion, from "The Story of Samson", ca. 1560–80
    Samson and the Lion, from "The Story of Samson"Unrecorded French maker, ca. 1560–80Courtesy of The Metropolitan Museum of Art
  3. Portrait of an Old Man, by Giulio Campi, mid-1500s
    Portrait of an Old ManGiulio Campi, mid-1500sCourtesy of the Cleveland Museum of Art
  4. A work made of oil on canvas.
    Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560
    Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art
  2. A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
    Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago
  3. Painting of the Annunciation, dove flying above Mary with angel.
    The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago
  4. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572
    Portrait of Vincenzo GuarignoniGiovanni Battista Moroni, c. 1572Courtesy of the Cleveland Museum of Art
  2. The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480
    The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art
  3. Portrait of a Couple, c. 1580–88
    Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art
  4. Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508
    Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  2. Holy Family with a Shepherd, by Battista Dossi, early 1520s
    Holy Family with a ShepherdBattista Dossi, early 1520sCourtesy of the Cleveland Museum of Art
  3. A work made of tempera on canvas.
    Sinan Reis and Hayreddin BarbarossaItalian, c. 1535Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago