Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art 
Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art 
Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art 
The Flight into EgyptDomenico Campagnola, c. 1540Courtesy of the Art Institute of Chicago
Section 1, south wall

A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Alessandro de' MediciPontormo, (Jacopo Carrucci), 1534–35Courtesy of the Art Institute of Chicago 
Christ Carrying the CrossSebastiano del Piombo, c. 1515–17Courtesy of the Art Institute of Chicago 
The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago
Section 2, south wall

Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago 
The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago 
Group of Nine Standing FiguresParmigianino, 1524/27Courtesy of the Art Institute of Chicago
Section 2, north wall

View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art 
The Submersion of Pharaoh's Army in the Red SeaTitian, 1514–15, printed 1549Courtesy of the Cleveland Museum of Art
Section 3, north wall

Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art 
Virgin and Child with the Young Saint John the BaptistAntonio da Correggio, c. 1515Courtesy of the Art Institute of Chicago