Floor plan

West wing: Old MastersRenaissance

Renaissance

A work made of etching in black on cream laid paper.
Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34
Adoration of the Shepherds, c. 1500
Virgin and Child with Saints, c. 1510
Christ Crowned with Thorns, by Martin Schongauer, 1470–82
The Last Supper, by Lucantonio degli Uberti, c. 1500
A work made of woodcut in black on tan laid paper.
Death of the Virgin, mid-1500s

The works in this room are listed below.

Works in this room

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

Section 1, north wall

  1. A work made of etching in black on cream laid paper.
    Dead Christ Held by AngelsOrazio Samacchini, 1580/1620Courtesy of the Art Institute of Chicago
  2. Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34
    Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art
  3. Adoration of the Shepherds, c. 1500
    Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art
  4. Virgin and Child with Saints, c. 1510
    Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Christ Crowned with Thorns, by Martin Schongauer, 1470–82
    Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art
  2. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  3. A work made of woodcut in black on tan laid paper.
    The Circumcision of Christ, from The Life of the VirginAlbrecht Dürer, c. 1505, published 1511Courtesy of the Art Institute of Chicago
  4. Death of the Virgin, mid-1500s
    Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508
    Farmhouse on the Slope of a HillFra Bartolommeo, c. 1508Courtesy of the Cleveland Museum of Art
  2. Martyrdom of Saint Andrew, by Guido Reni, 1600s
    Martyrdom of Saint AndrewGuido Reni, 1600sCourtesy of the Cleveland Museum of Art
  3. A work made of oil on panel.
    Alessandro de' MediciPontormo, (Jacopo Carrucci), 1534–35Courtesy of the Art Institute of Chicago
  4. A work made of engraving in black on ivory laid paper.
    Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. This painting shows an upper-body portrait of a man in a three-quarter view, turned to the left. He has a prominent double chin, a slightly furrowed brow, thin lips, and a serious expression. He has pale yellow skin and short, dark hair, and he wears a large, red hat. He is clad in silver armor with red straps on his shoulder and chest. The background is a simple, dark green color.
    Francesco SforzaUnrecorded Italian maker, probably c. 1480/1500Courtesy National Gallery of Art, Washington
  2. The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512
    The Power of Women: The Poet Virgil Suspended in a BasketLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art
  3. Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later
    Salome with the Head of Saint John the BaptistBernardino Luini, 1500s or laterCourtesy of the Cleveland Museum of Art
  4. A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.
    A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago