Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago 
Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art 
Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago 
Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art
Section 1, south wall

Studies of a Seated Female, Child's Head, and Three Studies of a BabyRaphael, c. 1507–8Courtesy of the Cleveland Museum of Art 
Madonna and Child in a NicheAntonio del Ceraiolo, c. 1520sCourtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago
Section 2, south wall

Study of a Standing Male NudeGiuseppe Cesari, called Cavaliere d'Arpino, 1595/96Courtesy of the Art Institute of Chicago 
The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art 
Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art
Section 2, north wall

Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art 
Virgin and Child with John the Baptist and AngelsPietro del Donzello, c. 1500Courtesy of the Cleveland Museum of Art
Section 3, north wall

The Academy of Baccio BandinelliEnea Vico, 1544/50, printed c. 1560sCourtesy of the Art Institute of Chicago 
Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art