Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago 
The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago 
The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art
Section 1, south wall

Scenes from the Life of Saint John the BaptistBartolomeo di Giovanni, 1490/95Courtesy of the Art Institute of Chicago 
The Submersion of Pharaoh's Army in the Red SeaTitian, 1514–15, printed 1549Courtesy of the Cleveland Museum of Art 
The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
Section 2, south wall

Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago 
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art 
Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art 
Virgin and Child with the Young Saint John the BaptistAntonio da Correggio, c. 1515Courtesy of the Art Institute of Chicago
Section 2, north wall

Holy Family with a ShepherdBattista Dossi, early 1520sCourtesy of the Cleveland Museum of Art 
Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art 
Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago
Section 3, north wall

Samson and the Lion, from "The Story of Samson"Unrecorded French maker, ca. 1560–80Courtesy of The Metropolitan Museum of Art 
Dead Christ Held by AngelsOrazio Samacchini, 1580/1620Courtesy of the Art Institute of Chicago