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Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

78 works · hang 9825 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.
    Mock Joust of War with Flying Shields and Without BevorsUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  2. The Passion: Christ Before Annas, by Martin Schongauer, c. 1480
    The Passion: Christ Before AnnasMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art
  3. St. Catherine of Siena and the Beggar, by Giovanni di Paolo, 1460s
    St. Catherine of Siena and the BeggarGiovanni di Paolo, 1460sCourtesy of the Cleveland Museum of Art
  4. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. A work made of engraving and etching in black on cream laid paper.
    A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago
  2. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago
  3. A work made of tempera on panel, transferred to canvas.
    The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago
  4. Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
    Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of oil on canvas.
    Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago
  2. A work made of etching in black on cream laid paper.
    Dead Christ Held by AngelsOrazio Samacchini, 1580/1620Courtesy of the Art Institute of Chicago
  3. The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549
    The Submersion of Pharaoh's Army in the Red SeaTitian, 1514–15, printed 1549Courtesy of the Cleveland Museum of Art
  4. Portrait of a Young Man, by Dosso Dossi, c. 1530
    Portrait of a Young ManDosso Dossi, c. 1530Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A work made of tempera on panel, transferred to canvas.
    Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago
  2. Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.
    Scenes from the Life of Saint John the BaptistBartolomeo di Giovanni, 1490/95Courtesy of the Art Institute of Chicago
  3. A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.
    The Flight into EgyptDomenico Campagnola, c. 1540Courtesy of the Art Institute of Chicago
  4. A work made of woodcut in black on tan laid paper.
    The Circumcision of Christ, from The Life of the VirginAlbrecht Dürer, c. 1505, published 1511Courtesy of the Art Institute of Chicago