Romanticism and Realism
Storms, ruins and feeling from about 1780, then ordinary people and working lives painted as they were, from the 1840s on.
Section 1, north wall

The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art 
Fruit on a TrayUnrecorded American maker, c. 1840Courtesy National Gallery of Art, Washington 
View of South Street, from Maiden Lane, New York CityWilliam James Bennett, ca. 1827Courtesy of The Metropolitan Museum of Art 
Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution 
Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art 
The Fountain at GrottaferrataAdrian Ludwig (Ludwig) Richter, 1832Courtesy of the Art Institute of Chicago
Section 2, south wall

Queen VictoriaThomas Sully, 1838Courtesy of The Metropolitan Museum of Art 
Panoramic View of the Palace and Gardens of VersaillesJohn Vanderlyn, 1818–19Courtesy of The Metropolitan Museum of Art 
A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum
Section 2, north wall

The Belated Party on Mansfield MountainJerome B. Thompson, 1858Courtesy of The Metropolitan Museum of Art 
Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art 
Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Approaching Thunder StormMartin Johnson Heade, 1859Courtesy of The Metropolitan Museum of Art 
The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art 
Captain John GellGilbert Stuart, 1785Courtesy of The Metropolitan Museum of Art