Baroque
Drama, movement and deep shadow in European art of the 1600s.
Section 1, north wall

Salome with the Head of Saint John the BaptistGuido Reni, c. 1639–42Courtesy of the Art Institute of Chicago 
Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome)Giovanni Battista Gaulli, c. 1675–1677Courtesy of the Cleveland Museum of Art 
Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago
Section 1, south wall

Landscape with Rock and FortressDomenico Gargiuli (Micco Spadaro), c. 1645Courtesy of the Art Institute of Chicago 
Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago 
The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago 
Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago
Section 2, south wall

A Young Woman Holding a CushionMonogrammist VCP, 1643Courtesy of the Art Institute of Chicago 
The Angel Departing from the Family of Tobit (?)Giovanni Benedetto Castiglione, c. 1655Courtesy of the Art Institute of Chicago 
The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago 
Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago
Section 2, north wall

Equestrian Ballet in the Amphitheater of the Boboli GardensStefano della Bella, 1661Courtesy of the Art Institute of Chicago 
The Holy FamilyGiulio Cesare Procaccini, 1613/15Courtesy of the Art Institute of Chicago 
Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago
Section 3, north wall

Soldier in Profile Holding a Pike, from Capricci e habiti militariFilippo Napoletano, 1610/29Courtesy of the Art Institute of Chicago 
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum