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The galleries · Style galleries

Drawings of the 19th century

Drawings made in the 19th century, from every museum.

92 works · hang 7436 ·

Share Drawings of the 19th century, in the galleries

The rooms are imagined; every work on their walls is real.

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Section 1, north wall

  1. At the Concert Parisien, by Georges Seurat, 1887–88
    At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art
  2. "ORCHSTRES PLACES AUX CHAMPS ELYSEES, DANS LE GRAN CARRES"
    "Orchstres places aux Champs elysees, dans le gran carres"Félix Duban, 1833Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. Leaping Trout, by Winslow Homer, 1889
    Leaping TroutWinslow Homer, 1889Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Head of a Tahitian Woman, by Paul Gauguin, 1891
    Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
  2. This image is a pencil sketch on paper with a monochrome palette of graphite gray. The viewer sees various scenes without a defined horizon line. The upper section shows figures in period clothing, possibly mid-19th century women's fashion. The middle area has abstract architectural forms. In the lower right corner, a sailing ship or boat is sketched with more detail than the rest. The drawing style consists of quick, expressive strokes. The image conveys multiple narrative or compositional ideas on a single sheet.
    Seaside StudiesEugène Isabey, 1830sCourtesy National Gallery of Art, Washington
  3. The image shows a person lying down, positioned on their side, resting on a pillow. The individual appears to be asleep, with closed eyes, slightly parted lips, and a relaxed facial expression. The person has light-colored hair, partially covered by a white nightcap, and is dressed in white nightwear with a ruffled collar. They are covered by a white blanket and their hand is partially visible near the face, with fingers interlaced. The background features a wooden headboard or furniture piece.
    An Infant Asleep in His CribAdolph Menzel, 1848Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.
    Rainy Day, BostonChilde Hassam, 1886Courtesy National Gallery of Art, Washington
  2. This is a drawing of a person leading a donkey laden with goods. The image depicts a scene with a donkey walking to the left side while being guided by an individual dressed in layered clothing. The donkey is burdened with sacks or baskets that are strapped to its back. The lines and shading are subtle and detailed, capturing the texture of the clothing and fur. The figure and the donkey are positioned on a lightly sketched landscape with a few hints of foliage to the right, suggesting a rural setting. The drawing's simplicity and detail suggest a narrative moment, with a sense of movement and purpose conveyed through the lines.
    The Milkmaid of BoulogneAlphonse LegrosCourtesy National Gallery of Art, Washington

Section 2, north wall

  1. This is a drawing of a rustic interior scene. The artwork depicts an interior where a table is surrounded by chairs. On the table, there is a bowl, as the individuals appear to be interacting or reaching towards it. In the background, livestock and chickens are visible, suggesting the environment is possibly a farm or a barn with a dining space. The use of soft lines and shading creates a warm, intimate, and slightly somber atmosphere within the image, with light and shadow playing an important role in highlighting the subjects and their surroundings.
    East Frisian Peasants Eating SupperMax Liebermann, 1893Courtesy National Gallery of Art, Washington
  2. Sheet of Studies and Sketches, by Edgar Degas, 1858
    Sheet of Studies and SketchesEdgar Degas, 1858Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. STUDY FOR "DIANA AND HER ATTENDANTS AMONG THE CONSTELLATIONS"
    Study for "Diana and Her Attendants among the Constellations"Francis Augustus Lathrop, ca. 1894Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Boy with Anchor, by Winslow Homer, 1873
    Boy with AnchorWinslow Homer, 1873Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. ROOKWOOD POTTERY
    Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Bray Church Yard, by John Varley, 1807
    Bray Church YardJohn Varley, 1807Courtesy of the Cleveland Museum of Art

Section 4, south wall

  1. Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868
    Édouard Manet, Seated, Holding His HatEdgar Degas, ca. 1868Courtesy of The Metropolitan Museum of Art
  2. RUSTIC INTERIOR: STAGE DESIGN FOR THE TEATRO DE' FELICINI, BOLOGNA
    Rustic Interior: Stage Design for the Teatro de' Felicini, BolognaAntonio Giuseppe Basoli, ca. 1810Courtesy of Cooper Hewitt, Smithsonian Design Museum

Walk on

  • Drawings of the 19th century, room 2
  • Antonio Giuseppe Basoli's contemporaries 8 works
  • 19th-century Italy 13 works
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