Floor plan

Style galleriesNeoclassicism

Neoclassicism

Cupid and Psyche, by Jacques-Louis David, 1817
The Artist in His Room at the Villa Medici, Rome, by Léon Cogniet, 1817
A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.
A work made of oil on canvas.
A work made of pen and brown ink and black ink wash, with brown ink wash, on blued-white laid paper.
A work made of oil on panel.
MARTYRDOM OF ST. ANDREW

The works in this room are listed below.

Works in this room

Europe turns back to Greece and Rome: clear line, calm figures and civic virtue.

First room, north wall

  1. Cupid and Psyche, by Jacques-Louis David, 1817
    Cupid and PsycheJacques-Louis David, 1817Courtesy of the Cleveland Museum of Art
  2. The Artist in His Room at the Villa Medici, Rome, by Léon Cogniet, 1817
    The Artist in His Room at the Villa Medici, RomeLéon Cogniet, 1817Courtesy of the Cleveland Museum of Art
  3. A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.
    Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)Eugène Delacroix, 1816Courtesy of the Art Institute of Chicago

First room, south wall

  1. A work made of oil on canvas.
    Birth of BacchusKároly Markó, Sr., 1826 (?)Courtesy of the Art Institute of Chicago
  2. A work made of pen and brown ink and black ink wash, with brown ink wash, on blued-white laid paper.
    Odysseus, at the Doors of Hades, Meets the Shades of Tiresias and AnticleaJohann Heinrich Lips, 1785Courtesy of the Art Institute of Chicago
  3. A work made of oil on panel.
    The Hanged MonkFrancisco Goya, c. 1810Courtesy of the Art Institute of Chicago
  4. MARTYRDOM OF ST. ANDREW
    Martyrdom of St. AndrewFrancesco Coghetti, 1825–50Courtesy of Cooper Hewitt, Smithsonian Design Museum

Second room, south wall

  1. Marie Emilie Coignet de Courson (1716–1806) with a Dog, by Jean Honoré Fragonard, ca. 1769
    Marie Emilie Coignet de Courson (1716–1806) with a DogJean Honoré Fragonard, ca. 1769Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on canvas.
    Mount Athos Carved as a Monument to Alexander the GreatPierre Henri de Valenciennes, 1796Courtesy of the Art Institute of Chicago
  3. A work made of handcolored etching in black on cream laid paper.
    The Grotto of Posillipo (La Grotta di Posillipo)Louis Jean Desprez, 1785/90Courtesy of the Art Institute of Chicago
  4. CATHEDRAL OF NOTRE DAME IN PARIS
    Cathedral of Notre Dame in ParisCharles Nicolas Ransonnette, 1825–1840Courtesy of Cooper Hewitt, Smithsonian Design Museum

Second room, north wall

  1. Overdoor Painting and Double-Leaf Doors, by Pierre Rousseau, 1790s
    Overdoor Painting and Double-Leaf DoorsPierre Rousseau, 1790sCourtesy of the Cleveland Museum of Art
  2. The Afternoon Meal (La Merienda), by Luis Meléndez, ca. 1772
    The Afternoon Meal (La Merienda)Luis Meléndez, ca. 1772Courtesy of The Metropolitan Museum of Art
  3. THE VIRGIN WITH THE CHILD
    The Virgin with the ChildFortunato Duranti, 1820–1850Courtesy of Cooper Hewitt, Smithsonian Design Museum

Third room, north wall

  1. Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), by Elisabeth Louise Vigée Le Brun, 1789
    Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)Elisabeth Louise Vigée Le Brun, 1789Courtesy of The Metropolitan Museum of Art
  2. Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent, by baron François Gérard, 1808
    Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénéventbaron François Gérard, 1808Courtesy of The Metropolitan Museum of Art