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The Northern Renaissance

Dürer's prints, Holbein's portraits and the art of northern Europe in the 1500s.

62 works · hang 9518 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589
    Ice skaters on the Amstel in AmsterdamHans Bol, 1589Courtesy of The Metropolitan Museum of Art
  2. The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.
    Mountainous Landscape with a VillageHanns Lautensack, 1553Courtesy National Gallery of Art, Washington
  3. Erasmus of Rotterdam, by Hans Holbein the Younger, ca. 1532
    Erasmus of RotterdamHans Holbein the Younger, ca. 1532Courtesy of The Metropolitan Museum of Art
  4. Head of a Young Woman, by Albrecht Dürer, 1522
    Head of a Young WomanAlbrecht Dürer, 1522Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Fish Market, by Joachim Beuckelaer, 1568
    Fish MarketJoachim Beuckelaer, 1568Courtesy of The Metropolitan Museum of Art
  2. Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80
    Christ Carrying the CrossMartin Schongauer, ca. 1475–80Courtesy of The Metropolitan Museum of Art
  3. The image shows a woman sitting with a child on her lap. The woman has a gentle expression and long hair, wearing a flowing robe. The child is facing her, reaching up with one hand. In the background are trees, hills, a building, and a fountain with a lion's head spouting water into a basin. The illustration is detailed, capturing textures and elements in the scene.
    Madonna and Child at a FountainMaster MZ, 1501Courtesy National Gallery of Art, Washington

Second room, south wall

  1. The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.
    Forum Vulcani: The Hot Springs at PozzuoliJoris Hoefnagel, 1578Courtesy National Gallery of Art, Washington
  2. The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.
    Margarethe Vöhlin [reverse]Bernhard Strigel, 1527Courtesy National Gallery of Art, Washington
  3. View of Heidelberg, by Jan Brueghel the Elder, ca. 1588–89
    View of HeidelbergJan Brueghel the Elder, ca. 1588–89Courtesy of The Metropolitan Museum of Art
  4. Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532
    Hermann von Wedigh III (died 1560)Hans Holbein the Younger, 1532Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519
    Virgin and Child with Saint AnneAlbrecht Dürer, probably 1519Courtesy of The Metropolitan Museum of Art
  2. Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543
    Amya Petitioning Faustus for the Custody of Saint MamasJean Cousin the Elder, ca. 1543Courtesy of The Metropolitan Museum of Art
  3. A work made of engraving on paper.
    Spes, plate 2 from The Seven VirtuesHieronymous Wierix, c. 1598Courtesy of the Art Institute of Chicago

Third room, north wall

  1. Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544
    Portrait of Cosimo de' Medici in full armor, his left hand resting on a staffNiccolò della Casa, 1544Courtesy of The Metropolitan Museum of Art
  2. A work made of engraving on ivory laid paper.
    Fides, plate 1 from The Seven VirtuesHieronymous Wierix, c. 1598Courtesy of the Art Institute of Chicago